WHO WE ARE & WHAT WE DO
Scroll down for more information about the Journal's editorial team and vision.
For more detailed information about how we operate, you can see our policies by clicking the relevant tab on the menu above.
RRR is committed to the publication (free of charge) of well-informed research into the long-nineteenth century.
We are particularly keen to support early career researchers and postgraduates.
WHAT WE DO
RRR publishes annually.
Visit our Homepage for information about forthcoming editions, and use the menu above to view articles from previous issues.
RRR is an online interdisciplinary research journal that works alongside the Southampton Centre for Nineteenth Century Research (SCNR) with the shared aim of facilitating discussion about all aspects of the long-nineteenth century.
We are proud to adopt a forward-thinking approach in all aspects of our work. We have an instantaneous, fully open access policy, which means that as soon as an issue of RRR is published, it will immediately be free for all to read.
Our commitment to assisting Postgraduates and Early Career Researchers makes us truly innovative, and we are committed to assisting and supporting our authors in reworking their articles. We offer detailed advice and an open and sympathetic atmosphere within which inexperienced scholars can develop their work, and ask even the most basic of questions in order to help them hone their research into a highly respectable article.
That aim of assisting PGRs in gaining the experience that they need is most obvious in our board structure, as the most senior positions on the editorial board can only be held by PGRs.
Yet a PGR leadership team in no way suggests that we adopt a laxer approach to academic integrity. All articles published in RRR are subjected to a rigorous double-blind review, and our editorial team consists of both PGRs and established academics from across the Arts, Humanities and Social Sciences, who work alongside us to ensure that every article published is of the highest standard. We also guarantee that our double-blind reviewers will only ever be established academics, with a strong reputation in the field of your research.
Equally, we are by no means a ‘PGR only’ journal, and have published research by both emerging and established scholars: from MA Students to Emeritus Professors. We exist to facilitate discussion across the Arts, Humanities and Social Sciences about the long-nineteenth century, and any articles which contribute to that vision are welcome. Nor do we solely publish articles. We are very keen to receive reviews of books, museum exhibitions, and productions, or reports on conference proceedings.
THE EDITORIAL TEAM
PhD English Researcher, University of Southampton, University of Exeter
Emma Hills is an SWWDTP Funded PhD Researcher. Her thesis, 'Disraeli's Library: The Making of an Imperial Imagination 1820-1837' brings together her research interests in nineteenth-century book history, literature and culture, the British Imperial project, postcolonialism, and decolonisation. With a strong interest and experience in the heritage sector - developed through working with the National Trust's collections at Hughenden Manor - in the summer of 2021, Emma undertook a three-month placement with the Royal Cornwall Museum in Truro (https://www.sww-ahdtp.ac.uk/student-blogs/emma-hills-talks-about-her-placement-at-cornwall-museums-partnership/). Between January 2021 and January 2022, Emma was the Editor-in-Chief of Romance, Revolution and Reform, and produced Issue 4: 'Transnationalism in the Long-Nineteenth Century'.
Co-founder, Editor-in-Chief 2017-2020
PhD History Researcher, University of Southampton
Zack's research interests include British military history, and the Napoleonic era. He is writing his thesis on crime and punishment in the British Army between 1808 and 1818. Zack has also written on 19th Century caricatures and army social dynamics. He is Post-graduate liaison for the British Commission for Military History, and runs the website www.thenapoloeonicwars.net
MEGEN DE BRUIN-MOLÉ
Teaching Fellow in Digital Media Practices, University of Southampton
Megen's research interests include neo-Victorianism, popular feminism, adaptation, and contemporary remix culture, and she has published widely in these areas. She is currently completing a monograph on historical monster mashup. Her forthcoming projects focus on women’s histories of remix and collage, and on erasure and identity politics in multimedia franchises.
Lecturer in French Studies, University of Southampton
Aude's current research interests include the relation between science and literature, and the representation of ‘the monstrous family' in Francophone literature. She is finishing a book based on her PhD, Fleurs monstrueuses: histoire d'une métamorphose, Littérature, femmes et botanique, describing the links between visual and textual representations of flowers, and the monstrous representation of women during the late nineteenth century. At the same time, she is working on the contemporary Lebanese-born Canadian playwright, painter and director Wajdi Mouawad and how he explores the family as a metaphor and origin of the Lebanese civil war.
PhD English Candidate, Loughborough University.
Aaron Eames is a doctoral research student at Loughborough University. His thesis, supervised by Dr Nick Freeman and Dr Sarah Parker, investigates the development of ideas concerning Wilde’s sexual identity in biographical literature. He received a BA in Classical Civilisation and Philosophy from the University of Nottingham in 2013, an MSt in Creative Writing from the University of Cambridge in 2015, and an MA in Victorian Studies from the University of Leicester in 2018. Aaron is a committee member of the Oscar Wilde Society, UK, and the editor of the society’s regular e-newsletter Oscariana.
Senior Lecturer, Liverpool Hope University
The primary focus of Trish's research is on Victorian literature and culture. She has a monograph entitled Thomas Hardy's Legal Fictions (Edinburgh University Press, 2013) and an edited collection of essays entitled Victorian Time: Technologies, Standardizations, Catastrophes (Palgrave Macmillan, 2013) and is co-editor of a collection of essays on neglected Victorian writers, Victorian Fiction beyond the Canon (Palgrave Macmillan, 2016). She recently completed a monograph on Maud Gonne (forthcoming with UCD Press in 2019) and is currently editing a companion volume to Victorian Time, entitled Literature and Modern Time: Technological Modernity, Glimpses of Eternity, Experiments with Time (forthcoming with Palgrave Macmillan in 2019).
Mary Hammond is Professor Emerita of English and Book History at the University of Southampton and founding Director of the interdisciplinary Southampton Centre for Nineteenth-Century Research. She is the author of many articles, chapters and co-edited essay collections on the literature and print culture of the long nineteenth century, including, with Shafquat Towheed, Publishing in the First World War: Essays in Book History (Palgrave, 2007), with Robert Fraser, Books Without Borders, 2 Volumes (University of Edinburgh Press, 2019), and the monographs Reading, Publishing and the Formation of Literary Taste in England, 1880-1914 (Ashgate, 2006), and Charles Dickens's Great Expectations: A Cultural Life, 1860-2012 (Ashgate/Routledge, 2015).
Doctoral Graduate, University of Southampton
Roger’s research interests revolve around nineteenth-century romanticism, particularly keyboard and vocal music in Victorian Britain and their literary contexts. At University of Southampton, Roger was a teaching assistant for the undergraduate course ‘Materials of Music History, 1500–1900’. He has presented papers at the Biennial Conference on Nineteenth-Century Music, the Biennial Conference on Music in Nineteenth-Century Britain, and at University of Southampton’s ‘Other Voices Study Day’. Roger holds a Post-Graduate Certificate in music education, and gained distinction for his MMus in Musicology, including the analytical project ‘Narrative Structure in Chopin’s Ballades: Large-scale Romantic Works and the “Problem” of Sonata Form’. His doctoral research attracted funding from the Arts and Humanities Research Council and led to the 2017 monograph Figures of the Imagination: Fiction and Song in Britain, 1790–1850 (Taylor & Francis).
Johanna Harrison is a Masters student at King’s College London (previously the University of Oxford and the Guildhall School of Music and Drama) and has research interests in the Victorian novel, the fin de siècle, music and performance, fuel and extraction discourses, and gender, particularly female labour and its expressions in nineteenth-century fiction. She has co-authored several textbooks on poetry and Shakespeare aimed at GCSE and A Level students through Peripeteia Press.
Professor of Music, University of Southampton
Francesco currently serves as Head of Department. His research concentrates on nineteenth-century opera, focussing in particular on questions of genre, politics and censorship, performance practice, and textual criticism. He is General Editor of the critical edition The Works of Giuseppe Verdi (University of Chicago Press and Casa Ricordi) and directs the Scientific Committee of the Festival Verdi in Parma
Teaching Fellow in Film Studies, University of Southampton
Will is the author of Romanticism and Film: Franz Liszt and Audio-Visual Explanation (Bloomsbury Academic, 2020) and the forthcoming Negation and Freedom: Film, Capitalism and Romantic Critique. He is currently co-writing a book about the American philosopher Morse Peckham with Prof David Dennen (Chihlee University of Technology, Taiwan). Will’s research interests include the intersections between audio-visual media, critical philosophy and history, as well as cultural representations of virtuosity, genius, revolution, leadership and work.
PhD English Researcher, University of Cambridge
Olivia will be starting her PhD in English at Trinity College, Cambridge in October (previously MSt Oxon, BA Southampton). Olivia’s research interests span the long nineteenth century and include sexuality, violence, the emotions, science and literature, and periodical culture. Her PhD thesis, provisionally entitled '"Violent Emotion" in the Nineteenth-Century Realist Novel, c. 1850-1900’, sets out to deconstruct and situate this abstract concept within a larger emerging discourse of Victorian medical writing on the emotions.
PhD Researcher in Music, University of Southampton
PhD English Studies, University of Exeter and University of Reading
Beth Mills is a Third-Year SWW-DTP-funded doctoral candidate, whose project examines the interplay between science and fiction in the work of the late-Victorian writer, Grant Allen. She analyses representations of scientific identity, evidence, and knowledge in Allen’s short stories, detective fiction, and scientific writings. Beth has a strong interest in Digital Humanities, having worked on the ‘Hardy and Heritage’ digitisation project, a collaboration between the University of Exeter and the Dorset County Museum, and as a Research and Editorial Assistant for the online platforms for peer-reviewed nineteenth-century scholarship, BRANCH and COVE.
Economic History, London School of Economics
Nikita completed her Master’s in Economic History from the London School of Economics, where she wrote her thesis on the composition of the female labour force during the First World War. Her other areas of interest span early modern warfare, the maritime history of the long eighteenth century, and the representation of economic and political ideas in literature from the Regency and Victorian eras.
PhD Researcher in Music and Modern Languages, University of Southampton
Michelle Reynolds is a PhD student at the University of Exeter. Her thesis looks at the relationship between the New Woman’s emergence and the professionalism of women illustrators at the British fin de siècle as well as the New Woman’s visual representation and how women illustrators contributed to this representation. She completed an MA in Art History and Museum Curating with Photography at the University of Sussex, an MA in Photography at the University of Plymouth, and a BFA in Visual Art at The University of Kansas. She is currently a Postgraduate Representative for the University of Exeter’s Centre for Victorian Studies.
Ellen Smith is an AHRC Midlands4Cities DTP-funded history PhD researcher under the supervision of Professor Clare Anderson at the University of Leicester and Dr Kate Smith at the University of Birmingham. Her thesis is titled ‘Communication, Intimacy and Creativity: Reconstructing Family Life in Colonial South Asia through Letter Forms, 1857-1929’. Her work explores the social and cultural history of the British Empire, particularly the connections made between Britain and India through familial correspondence over the long nineteenth century.
Claudia Sterbini is a soon-to-be researcher in the field of medical humanities. Her PhD explores the reciprocal influence of nineteenth-century medicine and literature in the construction and popularization of asexuality as a pathology. More broadly, she is interested in the medical humanities, gender and sexuality studies, and structuralism. She is the Communication Executive of the Ruskin Society and a member of the referee panel of The Wellsian. Claudia holds an MA in Romantic and Victorian Literary Studies, during which she wrote a dissertation on Thomas Hardy, time and typology.